Abstracts

I have other new sketches and painting to post... maybe later, but one thing I've been playing with for the past month is 'masa', or rice paper.  On one of the art forums I frequent, there are monthly project and idea kickers, and this one intrigued me enough to give it a go.

First step was to order the paper.  Ten sheets of masa from Dick Blick for a very reasonable price, and I was surprised to find that each sheet was 22"x30"!  Woo hoo!  I have enough to do some serious play.

The idea here is to use the natural fiberous nature of the paper to do some abstract work.  For this first one I crumpled the paper (about 5"x7") and soaked it in water.  Then I dropped in some ink (Noodler's Red-Black) which feathered nicely.  While the paper was still wet I touched some watercolor pigments onto the paper.  At the end, I decided that I liked it best standing up on end.

Next up, same basic idea, but I used a few different tools to make marks.  Again, ink and watercolor, but this time I added some spatters of irridescent medium to the page.

 

For the third one, I pre-painted the paper with streaks of color, then dropped in a bunch of ink.  You'll notice that the inks I've been using are not waterproof, so they react beautifully on the wet paper.

On the next three, I did the crumple and soak to the paper, but then added some origami-style folding (cone and fan folds) before dropping in - yep, more ink and watercolor.

I picked up some india ink, to see what would happen if I used permanent, waterproof ink to start with.  We'll see what happens.

August Sketches - Part 3

A diabetic friend told me about a new insulin replacement for diabetics.  Odd stuff.  I drew a cartoon.  Those three statements actually relate.

Next up are a couple of sketches I did while visiting our local farmer's market.

August Sketches - part 2

I've been squeaking in time for art whenever possible this month, but it's been tight.  Mostly all I've been able to manage is quickie sketches here and there.

All of these were done in my 3"x5" Handbook journal, landscape format.

This first one was done with a Pilot Razor pen and a waterbrush, looking out the window of the doctor's exam room while waiting for him to show.  The Razor is pretty sweet to draw with because it washes beautifully with a touch of water.

A bunny sculpture out in the front yard, done with a fountain pen with Levenger's Empyrean ink.  Again, it's not waterproof, so it washes nicely with a waterbrush.

This one was from a photo on the internet.  The hiker was taking some photos and when he panned sideways he found this bear playing peek-a-book with him from about 10 feet away.

A couple of quickies just to draw something.  On the left is a bandana hanging in my room, and on the right is a tree from my imagination.

This next one has a bit of a story with it.  It shows a view looking down the street from in front of the building where I work in downtown Washington DC.  While enjoying the sun and sketching away, a plainclothes security agent came up and wanted to know what I was doing.  Seems that someone had reported me to the guards inside and said I was drawing maps and taking notes!  Everything was cool after I showed him what I was doing.  This was another painting done with the limited palette I carry in my pocket sketch kit.

Another limited palette painting, just to unwind and zen out a little bit.  I think I need to learn to photograph these sketchbook pages rather than scan them, because the colors just don't come out true, and I'm not good enough with the software to tweak them enough to look right.

So yeah, that's it for now.  Please contain yourselves.  LOL



En Plein Air

En Plein Air means 'in the open air' and it refers to getting outdoors to draw or paint a subject.  Monet, Renior, Sargent and many others were enthusiastic about creating art in this fashion.

It's been a beastly hot summer here in the mid-Atlantic states, but we had a couple of tolerable days this week where I was able to get out and sketch en plein air over lunch.

As always, you can click on these for bigger.  They were all done in a 3"x5" Handbook sketchbook. 

This first one was from memory of my daughter's backyard, as seen out her back door. I was watching her critters last weekend, and spent a fair amount of time looking at this. The light and shadow through the trees caught my eye.  Done with a Pilot Razor pen and a waterbrush to wash the soluble ink. 

Did this one over lunch from a picture of a Scottish castle that I googled up.  This one, and the next two were done with the limited watercolor palette I've been playing with.

Tuesday and Wednesday were beautiful days, so I went walkabout over lunch. The first is the corner of a building on the George Washington University campus. Insane angles and perspective, so of course I ignored my pencil and dived right in with pen. The watercolor wash was done in about 3 minutes as it started to rain a little bit and lunch was nearly over.

And the other was this very interesting tree across the street. Again, the play of light and shadow caught my eye.

I'm ready for cooler weather to come back.  I have a mental list of things I want to sketch in DC once I can be outside without my brains broiling.

More July

Still sketching and painting.  As always, click for bigger.  These were all done in a 3"x5" Handbook sketchbook.

This first one is from a photo taken last year on one of our backpacking trips. Phoebe is gone now, but she loved every second of our hikes.

These next four are experiments for me.  I found a link to a Spanish architect who did amazing sketches and used a minimal palette. The idea intrigued me, so I put together 3 half-pans and a piece of sponge in a mini-Altoids tin.   The colors are Burnt Sienna, Quinacridone Gold and Indigo (all Winsor & Newton). I've got a long way to go to really unlock the potential here, but so far I'm enjoying the ride.

More coming.  I know you can't wait.  Ha!

More July Sketches

I've set myself the task to do 100 sketches in 100 days.  This will, hopefully, get me into the habit of doing the work, and even more hopefully, help me to improve my sketching ability.

This first one was a quickie cartoon done on a 3x5 index card with my fountain pen.  I've been thinking of this one since I heard the original fuss over the song "Friday".

This next is pure watercolor, titled "Calm".

Playing with my Pitt Big Brush pens, I got the greyscale set of four.  The picture itself is McAfee Knob in Southern Virginia, probably the most photographed spot on the Appalachian Trail.

More Pitt Big Brush pens.  I did a quickie of the package insert art.

State bird of Virginia.

These next several were done at the Dover Downs casino.  Liz gambles, I grab a coffee and sketch.

The lady on the left is making chocolate-dipped strawberries at the Godiva shop.  I was watching her through the window.

Below is the casino hotel lobby.  We didn't stay there.

And the grandstands at the Dover Racetrack where the auto races, including NASCAR, are held.

This is the view from our much more modest hotel room.

Lastly, I painted this one using a limited pallete of subdued colors.  As an experiment, I used only Indigo, Burnt Sienna and Quinacridone Gold.  The scene is a generic pretend city corner, just to play with color mixing.

Hey, July is only half over!

July Sketching

Here are three sketches I've done so far this month.  The first is just playing around with the ubiquitous Pilot Razor Point felt pen.  This pen is cheap, writes wonderfully, and when you hit it with a little water, it washes into this beautiful neutral gray.



Next up I was in the basement waiting for the laundry to dry, so I did a quick sketch of some of my rockets on their rack.  This is pencil, followed by Pitt artist pen, with watercolor wash.

And since that last one worked out so well, here's a couple of my high power rockets.  These are the big boys I fly.

Something Old, Something New

Here are a few sketches I've done this year.

This first one - two, actually - are from photos.  I'd just gotten a Pentel Pocket Brush and wanted to see what kind of marks it would make.

In April we went hiking in Shenandoah National Park, and I took this amazing photo of my son-in-law standing on Crescent Rock.  This is a sketch I did of that photo using a set of Pitt Big Brush markers, the Pentel brush pen and a little watercolor.  I think the rocks suck, I've been working on that.

This is from a photo, Alaska, I think.

Another sketch done with the Pitt Big Brush markers.  I bought the 'warm gray' set of 4 and so far I like them alot, although I still need to learn how to use them (example: the squared-off blob in the lower part).

Negative Space

Negative painting means you paint around an object to show that it's there.  I created the painting below as an exercise from Linda Kemp's excellent book, "Painting Outside the Lines".  Notice that I don't actually paint the trees, I paint the background around it and the tree shape appears.

This is a powerful technique and one I'm going to really have to work at to master.

Three Tiny Landscape Sketches

Actually, it's nine in all, but the 'tiny' bit is spot on.  Each of the foursomes is done in a 3.5"x5" sketchbook, making each vignette about 1.5"x2.25".  As usual, you can click on them to magnify my mistakes.  LOL

This first set was done with my trusty Lamy Safari fountain pen filled with Levenger's Empyrean ink, then the washes were teased out with a waterbrush.  On the bottom right, I know the shadows don't fit the light source.  :)

This next set is similar.  The blue, green and red were all done with Lamy Safaris filled with Levenger's Empyrean (again), MontBlanc British Racing Green (discontinued, dammit), and Noodler's Red-Black.  The lower left was done with a Pentel brush pen with their standard black ink.  Once again, careful use of the waterbrush makes for value shading.

This last one is pure watercolor, and is about 1"x2" (I think).  No particular scene in mind, I just had a bit of sketchbook page that was mocking me for leaving it blank.

Storm Clouds

From a book on painting techniques.

Two for Technique

A coworker who sees many of my sketches and paintings remarked upon how, more often than not, I'll refer to creating my art as 'playing'.  It's true, my default is "playing with paint" or "playing with composition", etc, rather than the more serious sounding "creating art" or even "drawing" or "painting". 

I'm ok with that.  To me, this is pure play.  I'm certainly not going to make a living at it (although everything here is for sale, contact me for prices!  LOL).  I sketch and paint and write for fun, for escape, for my own satisfaction.  In other words, I play.

You should try it.  Too many people have forgotten how.

Ok, these two were strictly to pla... practice with techniques that I'm not completely familiar with.  The first, "Tree and Rocks" (catchy, eh?) is where I practiced creating rock surfaces by scraping wet paint with the edge of a plastic card (in my case, an old library card).  For the tree foilage, I used the ol' sponge dipped in paint trick that we all learned in school.  It's not great art, but it was great practice.

This next one is "Snow Shadows", which is also a perfect description.  My wife gave me lots of good suggestions on how to make this work better, but I was concentrating on lifting the light spots out of the painted snow, to reveal the tree casting the shadows.  The technique is rather time consuming and I definitely need more practice, but that's why I play.

This is similart to what I did in Dappled.