Wednesday, May 30, 2012

Three Tiny Landscape Sketches

Actually, it's nine in all, but the 'tiny' bit is spot on.  Each of the foursomes is done in a 3.5"x5" sketchbook, making each vignette about 1.5"x2.25".  As usual, you can click on them to magnify my mistakes.  LOL

This first set was done with my trusty Lamy Safari fountain pen filled with Levenger's Empyrean ink, then the washes were teased out with a waterbrush.  On the bottom right, I know the shadows don't fit the light source.  :)


This next set is similar.  The blue, green and red were all done with Lamy Safaris filled with Levenger's Empyrean (again), MontBlanc British Racing Green (discontinued, dammit), and Noodler's Red-Black.  The lower left was done with a Pentel brush pen with their standard black ink.  Once again, careful use of the waterbrush makes for value shading.


This last one is pure watercolor, and is about 1"x2" (I think).  No particular scene in mind, I just had a bit of sketchbook page that was mocking me for leaving it blank.


Thursday, May 24, 2012

Storm Clouds

From a book on painting techniques.

Wednesday, May 16, 2012

Two for Technique

A coworker who sees many of my sketches and paintings remarked upon how, more often than not, I'll refer to creating my art as 'playing'.  It's true, my default is "playing with paint" or "playing with composition", etc, rather than the more serious sounding "creating art" or even "drawing" or "painting". 

I'm ok with that.  To me, this is pure play.  I'm certainly not going to make a living at it (although everything here is for sale, contact me for prices!  LOL).  I sketch and paint and write for fun, for escape, for my own satisfaction.  In other words, I play.

You should try it.  Too many people have forgotten how.

Ok, these two were strictly to pla... practice with techniques that I'm not completely familiar with.  The first, "Tree and Rocks" (catchy, eh?) is where I practiced creating rock surfaces by scraping wet paint with the edge of a plastic card (in my case, an old library card).  For the tree foilage, I used the ol' sponge dipped in paint trick that we all learned in school.  It's not great art, but it was great practice.


This next one is "Snow Shadows", which is also a perfect description.  My wife gave me lots of good suggestions on how to make this work better, but I was concentrating on lifting the light spots out of the painted snow, to reveal the tree casting the shadows.  The technique is rather time consuming and I definitely need more practice, but that's why I play.


This is similart to what I did in Dappled.

Friday, May 4, 2012

Artist Trading Cards - Round 2

Did two more ATC's a while back and exchanged them.  These are the ones I sent out, and if you'll recall the actual size is 2.5"x3.5".

First up, an attempt (rather poor one, in my opinion) of rolling farm fields.  Titled "Heartland".

In "Shimmer", I tried to capture the Aurora Borealis, aka Northern Lights.  I was lucky enough to see them for myself when I was stationed in North Dakota with the USAF.  They can be spectacular.

Sunday, April 29, 2012

Three Sketches from Shenandoah National Park

Last weekend I spent four days in the Blue Ridge Mountains, camping and hiking. Three of those days I took photos, the fourth I relaxed around the cabin and sketched en plein aire.
Here's a pen and ink wash drawing of Range View Cabin. The perspective looks a little funky, but it's not as off as it looks, which was one reason why I chose this particular angle to sketch from.
This was done using a brush pen and waterbrush. The view is the start of the trail that leads from the cabin back to the Appalachian Trail.
Straight watercolor sketch of a pair of interesting trees that were on the path to the cabin privy.

Tuesday, December 20, 2011

Restless Night

Dark. Stormy. Night. With a heavy sigh, the Duke turned away from the tall tower window. Every time the weather turned such, the peasants went berserk and somebody’s windmill burned to the ground. Last time it was Doctor Frankenstein’s, this time it could very well be his.

They were such superstitious fools, he thought, but not entirely without reason. After all, the unique ability of this area to generate frequent and powerful thunderstorms was legendary, and perfect for experiments requiring massive amounts of electrical energy. It was only natural that scientists of every stripe would be drawn to the region. The peasants called the scientists “mad” amongst themselves, but the Duke preferred the term “misunderstood”. As it applied to most of them, anyway. A few, were indeed, probably closer to madness than sanity. But that didn’t invalidate their scientific results, did it?

Crossing the room to his desk, the Duke sat down and lifted a snifter of fine brandy. Raising it to his nose, he looked over the rim of the crystal at his ygor, Bradley.

“So. Bradley, what’s the latest gossip?”

Bradley straightened as much as his hunched form would allow, and began, “Well, m’Lord, a new band of gypsy’s has moved into the area.”

The Duke’s eyebrow raised. “Another?” At Bradley’s nod, the Duke continued, “It seems that we have an abundance of Romani at the moment.”

Bradley nodded emphatically. “Yes m’Lord. A new travelling show visits each local village about every three days now. The villagers are sick of the gypsies, and the gypsies are irate at not being able to make a living. You can only use so much snake oil and vampire wards.”

“Quite so,” said the Duke. “I expect that supply and demand will eventually thin out the number of caravans criss-crossing the region.”

“Yes, m’Lord, but the villagers are already starting to take action. I’ve heard that some are directing the nomads to ‘more fertile opportunity,’ over closer to the Count’s castle.”

“Oh, well… I suppose Vlad will be happy for that, at least. What else for news?”

“Dr. Frankenstein has put out the word that he’s looking for a new ygor. Fritz is missing after the big fire and presumed dead.”

The Duke sipped, then smiled wryly, “I suppose you’ve applied for the opening?”

Bradley had the grace to look uncomfortable at the Duke’s insight. Looking down at the ground, he said, “no disrespect to you, m’Lord…”

“And none assumed, Bradley,” he smiled again, “I am fully aware that everyone wants to work for a winner, and barring that unfortunate ‘incident’, the Doctor is closer to success than the rest of us.”

And that, thought the Duke, was the downside of the situation. As much as he enjoyed the camaraderie and getting together to talk ‘shop’ with his neighbors, the concentration of scientific talent in the area made it difficult to obtain experimental materials. The Duke himself was stalled because of the shortage of viable cadavers from the local graveyards, and had recently turned down several candidates offered up by less-than-scrupulous villagers. ‘Abby Normal’ indeed!

But they all had their troubles. Last week the Baron was complaining that it was nigh impossible to obtain copper wire that was robust enough to withstand multiple lightning strikes, and without sufficient power your experiments were doomed from the start.

Even ygors were in short supply. Sure, you could always hire some half-witted village boy and spend years training him, but as soon as you had him to the point where he didn’t need constant supervision, he’d accept another job offer and you were right back where you started.

Standing again, the Duke shook off his darkening mood. One didn’t become a man of science by letting adversity dampen enthusiasm. In fact, challenges and setbacks added spice to the process, and made success all the sweeter.

Staring out into the storm again, the Duke could see a straggling mob of peasants bearing torches and pitchforks stumbling along a muddy road in the middle distance. From their direction, he could tell that he would be short one windmill by dawn.

Dammit.

Sunday, September 25, 2011

Vacation Paintings

During our cruise, I was able to sit down quite often with brushes. I completed two actual paintings, did several exercises to work on technique, and also did a few quick watercolor sketches.

This is the best of the sketches, inspired by the first couple of nights on board under stormy skies. The remnants of hurricane Katia tossed us around pretty good.


Bar Harbor, Maine had lots of these little forrested islands. They gave me a good opportunity to practice my negative painting (indicating a shape by painting around it). Here, it's the lighter colored trees.


A buoy in Portland, Maine.


This painting was inspired by a lighthouse in Saint John, New Brunswick.